Artimind. ● Available SS26
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Issue № 001
Season Spring · Summer 26
Studio Santander · Worldwide

Cinematic AI
fashion editorial
studio.

We build AI editorials with the discipline of cinema — referenced, lit, color-graded and narrated. Wong Kar-wai meets Helmut Lang, re-imagined for 2030.

Founded 2018
Partner Freepik Creators
Drops Daily on X
Status ● Available SS26
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Editorial fashion campaigns 02 Cinematic Hero Drops 03 Available for SS26 briefs 04 Workshops & masterclass 05 1-on-1 Consulting 06 Sref & prompt packs 07 Editorial fashion campaigns 02 Cinematic Hero Drops 03 Available for SS26 briefs 04 Workshops & masterclass 05 1-on-1 Consulting 06 Sref & prompt packs 07
01 ↳ Selected works

Cinema first,
fashion second.

Six pieces from the studio's daily editorial drops, SS26 season. Click for full case study.

02 ↳ Services on offer

What we make,
for whom.

Seven services. From single-frame editorials to ongoing creative direction. Pick a row, send a brief.

Have a brief?
Let's make
something
cinematic.

Response
Within 24h on weekdays.
Studio
Santander, Spain.
Working worldwide, async.
← All works
№ 001 / Hero Drop

Last Train,
Tokyo 2089

Camera
ARRI ALEXA 65
Stock
CINESTILL 800T
Aspect
2.39 : 1
Year
SS 2026
↳ The premise

A woman on the last bullet train out of Tokyo. 2 AM, 2089, neon city blurring past her window. The brief: Wong Kar-wai's mood, not sci-fi. Restraint over spectacle.

↳ Specs

A two-light, two-color noir setup. Cyan rim from neon outside, warm tungsten fill from interior. Cinestill 800T pushed +1 stop, fine grain, 2.39:1 anamorphic.

Camera
ARRI ALEXA 65
Lens
50MM ANAMORPHIC
Aperture
F·1.4
Stock
CINESTILL 800T
Aspect
2.39 : 1
Tools
MJ V7 · KLING 3.0
Time
~ 90 MIN
References
CHUNGKING · BR2049
↳ The JSON

Every piece is structured before generation. Subject, environment, photography, cinema, vibe, constraints, negative. No happy accidents.

"subject": {
  "primary": "Asian female model, mid-20s, sharp cheekbones",
  "wardrobe": "oversized tailored coat, charcoal, wet from rain",
  "expression": "distant, eyes off-camera",
  "pose": "leaning against rain-streaked train window"
},
"environment": {
  "location": "interior of futuristic high-speed train at night",
  "time_of_day": "2 AM",
  "weather": "heavy rain on windows, condensation"
},
"photography": {
  "camera": "Arri Alexa 65",
  "lens": "50mm anamorphic f/1.4",
  "lighting": "key from window neon (cyan), warm rim from tungsten interior"
},
"cinema": {
  "color_grade": "teal-orange noir",
  "film_stock": "Cinestill 800T pushed +1",
  "aspect_ratio": "2.39:1"
},
"negative": [
  "smiling",
  "centered composition",
  "soft uniform lighting",
  "plastic skin"
]
↳ The frames

Eight variations generated. Six killed. Two refined. One published.

← Home
Page № 07 / Journal
Updated SS 2026

Notes from
the studio,
unfiltered.

Process, breakdowns, JSON systems, tool deep-dives and the occasional editorial essay. Written between drops.

All posts

Showing 3 of 3
← All posts
Process 26 April 2026

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By Javier · Artimind Studio
5 min read

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Related notes

← All works
Page № 04 / About
Studio Founded 2018

A small studio
obsessed with
cinema,
disguised as
an AI shop.

Artimind is the editorial output of one creative director working with the tools of 2026 to make images and films that look like they belong in a magazine, a campaign, or a film print — not in an AI feed.

Founded
2018
Issues
№ 01
Drops
Daily
Status
Open
↳ Who

Artimind is run by Javier — based in Santander, working worldwide. Eight years shooting digital, eight more building things on the web, and the last three building a structured prompt system for cinematic AI editorial work.

The studio is small on purpose. One brief, one director, one signature.

↳ Principles

Five rules the studio follows, every drop, every campaign, every brief.

№ 01 Cinema first. Reference the cinematographer, not the prompt forum. Films and photographers before tools.
№ 02 JSON always. Every concept becomes a structured prompt before generation. No happy accidents.
№ 03 Restraint over spectacle. Single light source, single subject, single moment. The frame should imply the film.
№ 04 Kill eighty percent. Generate ten frames, refine two, publish one. Curation is the craft.
№ 05 Color last. Upscale, grade, emulate film stock, add grain. The final ten percent is what makes the rest read as cinema.
↳ References

The studio's visual library, on permanent loan. Filmmakers, photographers, designers we keep returning to.

Wong Kar-wai Helmut Lang Steven Meisel Sofia Coppola Helmut Newton Peter Lindbergh Bruce Weber Nan Goldin Wolfgang Tillmans Slim Aarons Roger Deakins Calvin Klein 1995 Saint Laurent FW17 In the Mood for Love Drive (2011) Blade Runner 2049 Lost in Translation 032c AnOther Re-Edition
↳ Behind the work

A typical drop takes between sixty and ninety minutes. Mood-board, JSON, generate, kill, refine, grade, ship. Tools change every month — the system doesn't.

Time per drop
60-90 min
Frames generated
~ 8-12
Frames published
1-2
Kill ratio
≈ 80%

Now you know us.
Let's talk.

Send a brief